{"id":5734,"date":"2025-03-12T13:14:33","date_gmt":"2025-03-12T12:14:33","guid":{"rendered":"https:\/\/app-visiodrom.pixel-tal.de\/arles-st-remy-ve-auvers\/"},"modified":"2025-03-21T10:16:28","modified_gmt":"2025-03-21T09:16:28","slug":"arles-st-remy-ve-auvers","status":"publish","type":"page","link":"https:\/\/app.visiodrom.de\/tr\/arles-st-remy-ve-auvers\/","title":{"rendered":"Arles, St-R\u00e9my ve Auvers"},"content":{"rendered":"
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Arles – \u00f6m\u00fcr boyu s\u00fcrecek bir r\u00fcya<\/strong><\/p>\n\n\n\n

May\u0131s 1888’de Vincent van Gogh, Arles’da Place Lamartine’deki sar\u0131 evini kiralad\u0131. Hayat\u0131nda ilk kez kendi evine sahip oldu ve hemen duvarlar\u0131 ‘Ay\u00e7i\u00e7ekleri’ ve ‘Yatak Odas\u0131’ da dahil olmak \u00fczere resimlerle s\u00fcslemeye ba\u015flad\u0131. Burada hayat\u0131 boyunca kurdu\u011fu hayali ger\u00e7ekle\u015ftirmek istiyordu: bir sanat\u00e7\u0131 kolonisi. Her tarzdan ressamlar onun ‘G\u00fcney St\u00fcdyosu’nda birlikte ya\u015fayacak ve \u00e7al\u0131\u015facakt\u0131. Kendi ba\u015flar\u0131na yaratabileceklerinden daha fazlas\u0131n\u0131 birlikte yaratabilecekleri bir yer. <\/p>\n\n\n\n

Vincent’\u0131n \u00e7a\u011fr\u0131s\u0131 duyulmad\u0131 – kimse davetini kabul etmedi. Sar\u0131 evdeki \u00fc\u00e7 misafir odas\u0131 bo\u015f kald\u0131. Sadece Paul Gauguin (1848-1903) 1888 Ekim sonunda Van Gogh’u ziyaret etti – uzun s\u00fcren ikna \u00e7abalar\u0131ndan sonra ve Vincent’\u0131n karde\u015fi Theo’nun maddi deste\u011fiyle. <\/p>\n\n\n\n

Sonu\u00e7lar\u0131 olan bir ziyaret<\/strong><\/p>\n\n\n\n

\u0130ki sanat\u00e7\u0131 hem sanata yakla\u015f\u0131mlar\u0131 hem de ki\u015filikleri a\u00e7\u0131s\u0131ndan birbirlerinden \u00e7ok farkl\u0131yd\u0131. Kar\u015f\u0131t g\u00f6r\u00fc\u015fleri, uzla\u015fmaya art\u0131k izin vermeyen hararetli tart\u0131\u015fmalara yol a\u00e7t\u0131. <\/p>\n\n\n\n

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Sar\u0131 Ev (Vincent’\u0131n Evi),<\/strong> Eyl\u00fcl 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 72 x 92 cm
Van Gogh M\u00fczesi Amsterdam, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n
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Vincent’\u0131n Pipolu Koltu\u011fu<\/strong>, Aral\u0131k 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 93 x 74 cm
Ulusal Galeri Londra, B\u00fcy\u00fck Britanya<\/figcaption>\n<\/figure>\n\n\n\n
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Paul Gauguin’in sandalyesi (bo\u015f sandalye),<\/strong> Aral\u0131k 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 91 x 73 cm
Van Gogh M\u00fczesi Amsterdam, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n

\u00bb<\/strong>Tart\u0131\u015fma a\u015f\u0131r\u0131 derecede elektrikli. Bazen de\u015farj olmu\u015f bir elektrik pili gibi yorgun bir zihinle \u00e7\u0131k\u0131yoruz.\u00ab Theo’ya Mektup (726), Aral\u0131k 1888 <\/p>\n\n\n\n

Aral\u0131k ay\u0131n\u0131n sonunda, tek misafir olan Gauguin evi terk etmekle tehdit etti ve Vincent bununla ba\u015fa \u00e7\u0131kamad\u0131. K\u0131sa bir s\u00fcre \u00f6nce karde\u015fi Theo’nun evlenece\u011fini \u00f6\u011frenmi\u015f, bu da zaten b\u00fcy\u00fck olan yaln\u0131zl\u0131k korkusunu daha da artt\u0131rm\u0131\u015ft\u0131. <\/p>\n\n\n\n

Umutsuzlu\u011fa kap\u0131lan ve muhtemelen absentin de etkisiyle sarho\u015f olan Van Gogh’un, arkada\u015f\u0131 Gauguin’i usturayla tehdit etti\u011fi bile s\u00f6ylenir. Gauguin olay yerinden ka\u00e7t\u0131. O ak\u015fam\u0131n ilerleyen saatlerinde Vincent van Gogh kula\u011f\u0131n\u0131n bir k\u0131sm\u0131n\u0131 kesmi\u015f, gazeteye sarm\u0131\u015f ve bir fahi\u015fe arkada\u015f\u0131na vermi\u015ftir. Vincent y\u00fcksek ate\u015f ve delilik belirtileriyle hastaneye kald\u0131r\u0131ld\u0131. <\/p>\n\n\n\n

Par\u00e7alanm\u0131\u015f r\u00fcya<\/strong><\/p>\n\n\n\n

Vincent’\u0131n \u00f6m\u00fcr boyu s\u00fcren hayali ger\u00e7ekle\u015fmedi. Bunu hi\u00e7bir zaman atlatamad\u0131. O andan itibaren n\u00f6betleri d\u00fczenli hale geldi. Yeni n\u00f6betlerden korktu\u011fu i\u00e7in May\u0131s 1889’da kendi iste\u011fiyle Saint-R\u00e9my’deki psikiyatri klini\u011fine yatt\u0131. Orada sadece n\u00f6betler aras\u0131ndaki sa\u011fl\u0131kl\u0131 d\u00f6nemlerde resim yapabildi. <\/p>\n\n\n\n

Ay\u00e7i\u00e7ekleri<\/strong><\/p>\n\n\n\n

\u00dcnl\u00fc ay\u00e7i\u00e7ekleri bir zamanlar Paul Gauguin’in sar\u0131 evdeki odas\u0131nda as\u0131l\u0131yd\u0131. Van Gogh ay\u00e7i\u00e7ekleriyle toplam yedi b\u00fcy\u00fck tuval yapm\u0131\u015ft\u0131r – bunlardan biri \u0130kinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda yanm\u0131\u015f, di\u011feri ise \u00f6zel m\u00fclkiyete ge\u00e7mi\u015ftir. Kalan be\u015f eser ise \u015fu anda d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki m\u00fczelerde bulunmaktad\u0131r. <\/p>\n\n\n\n

Van Gogh bu seriyle, tek bir renkle say\u0131s\u0131z \u00e7e\u015fitlilikte bir resim yaratabilece\u011fini g\u00f6stermek istemi\u015ftir. Van Gogh ilk kez, bitkinin do\u011fal ‘sar\u0131 spektrumunun’ \u00f6tesine ge\u00e7en renkler se\u00e7ti. Sar\u0131 ile sar\u0131 ve sar\u0131 i\u00e7inde sar\u0131 – Vincent bir odadaki ay\u00e7i\u00e7eklerinin Gotik bir katedraldeki vitray pencereler gibi parlamas\u0131n\u0131 istedi. G\u00fcn\u00fcm\u00fczde ay\u00e7i\u00e7eklerinin sar\u0131 tonlar\u0131 olduk\u00e7a solmu\u015ftur. Van Gogh bilin\u00e7li olarak ‘b\u00fcy\u00fck sar\u0131lar\u0131’ tercih etti. Di\u011fer ressamlar bu sar\u0131lar\u0131 \u00e7ok kaba ve sert bulurken, Vincent kusurlu olmalar\u0131n\u0131 sevdi ve genellikle solmu\u015f \u00e7i\u00e7ekleri resmetti. Vincent ay\u00e7i\u00e7e\u011fi ressam\u0131 olarak tan\u0131nmak istiyordu. Bu onun alametifarikas\u0131 oldu. Cenazesinde bir\u00e7ok arkada\u015f\u0131, tam da onun istedi\u011fi gibi, ay\u00e7i\u00e7ekleri getirdi. <\/p>\n\n\n\n

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Ay\u00e7i\u00e7ekleri<\/strong>, Ocak 1889
Tuval \u00fczerine ya\u011fl\u0131boya, 95 x 73 cm
Van Gogh M\u00fczesi Amsterdam, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n
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Ay\u00e7i\u00e7ekleri<\/strong>, Ocak 1889
Tuval \u00fczerine ya\u011fl\u0131boya, 95 x 73 cm
Sompo Sanat M\u00fczesi Tokyo, Japonya<\/figcaption>\n<\/figure>\n\n\n\n
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Ay\u00e7i\u00e7ekleri<\/strong>, A\u011fustos 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 93 x 73 cm
Ulusal Galeri Londra, B\u00fcy\u00fck Britanya<\/figcaption>\n<\/figure>\n\n\n\n
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Ay\u00e7i\u00e7ekleri<\/strong>, A\u011fustos 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 91 x 72 cm
Neue Pinakothek M\u00fcnih, Almanya<\/figcaption>\n<\/figure>\n\n\n\n
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Ay\u00e7i\u00e7ekleri<\/strong>, Ocak 1889
Tuval \u00fczerine ya\u011fl\u0131boya, 92 x 73 cm
Philadelphia Sanat M\u00fczesi, Amerika Birle\u015fik Devletleri<\/figcaption>\n<\/figure>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t
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Oda<\/h4><\/div>\n\n\n\n

Sar\u0131 evdeki ‘Oda’ Vincent van Gogh’un en sevdi\u011fi resimlerinden biriydi. Koyu sar\u0131 ve morun tamamlay\u0131c\u0131 renkleri ve kas\u0131tl\u0131 olarak tutars\u0131z perspektifiyle, mutlak bir sakinlik hissi aktarmak istemi\u015ftir. Ancak zaman i\u00e7inde menek\u015fe rengi maviye d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. Van Gogh ikinci versiyonu Saint-R\u00e9my’deki hastanede haf\u0131zas\u0131ndan \u00e7izdi. \u00dc\u00e7\u00fcnc\u00fc versiyonu ise k\u0131z karde\u015fi i\u00e7in bir hediye olarak yapm\u0131\u015ft\u0131r. <\/p>\n\n\n\n

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Oda (ilk versiyon),<\/strong> Ekim 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 72 x 91 cm
Van Gogh M\u00fczesi Amsterdam, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n
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Van Gogh’un Arles’daki Odas\u0131<\/strong>, Eyl\u00fcl 1889
Tuval \u00fczerine ya\u011fl\u0131boya, 57 x 74 cm
Mus\u00e9e d’Orsay Paris, Fransa<\/figcaption>\n<\/figure>\n\n\n\n
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Yatak Odas\u0131 (ikinci versiyon),<\/strong> Eyl\u00fcl 1889 Tuval \u00fczerine ya\u011fl\u0131boya, 74 x 92 cm
Chicago Sanat Enstit\u00fcs\u00fc, Amerika Birle\u015fik Devletleri<\/figcaption>\n<\/figure>\n\n\n\n

Delilikten gelen deha m\u0131?<\/strong><\/p>\n\n\n\n

Hay\u0131r! Hay\u0131r!<\/strong> Vincent van Gogh’un hangi hastal\u0131klardan muzdarip oldu\u011funu asla tam olarak bilemeyece\u011fiz. Epilepsi ya da \u015fizofreniye \u00f6zg\u00fc n\u00f6betler ge\u00e7iriyordu. Sonu\u00e7 olarak, \u00e7al\u0131\u015fmalar\u0131 bazen haftalarca ask\u0131ya al\u0131n\u0131yordu. Buna ek olarak, bir t\u00fcr bipolar bozukluktan muzdarip gibi g\u00f6r\u00fcn\u00fcyor (\u00bb<\/strong>mutlu-go-lucky,\u00f6l\u00fcm\u00fcne \u00fczg\u00fcn\u00ab) sosyal hayat\u0131n\u0131 \u00e7ok zorla\u015ft\u0131rd\u0131. Her iki hastal\u0131k da a\u015f\u0131r\u0131 alkol t\u00fcketimiyle daha da k\u00f6t\u00fcle\u015fti. Hastal\u0131klar\u0131n\u0131n resmi \u00fczerindeki en do\u011frudan etkisi, sa\u011fl\u0131\u011f\u0131na kavu\u015fur kavu\u015fmaz kendini tekrar i\u015fine verdi\u011fi g\u00fc\u00e7l\u00fc manik yarat\u0131c\u0131 enerjiydi. Bug\u00fcn uzmanlar Van Gogh’un kendine \u00f6zg\u00fc tarz\u0131n\u0131n ve dehas\u0131n\u0131n ak\u0131l hastal\u0131\u011f\u0131n\u0131n bir sonucu olmad\u0131\u011f\u0131ndan emin. O, \u00e7ekti\u011fi ac\u0131lara ra\u011fmen bunlar\u0131 geli\u015ftirmi\u015ftir. <\/p>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t

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Renklerin ke\u015ffi<\/strong><\/p>\n\n\n\n

\u015eehir hayat\u0131ndan bunalan Vincent van Gogh g\u00fcneye, Arles’a \u00e7ekildi. Japon kiraz \u00e7i\u00e7eklerinden esinlenerek, ilkbaharda oradaki meyve a\u011fa\u00e7lar\u0131n\u0131 resmetmek istedi. ‘G\u00fcneyin \u0131\u015f\u0131\u011f\u0131’ Vincent van Gogh’a renkleri g\u00f6sterdi. Bu noktadan sonra, son d\u00f6nem \u00e7al\u0131\u015fmalar\u0131n\u0131n \u00fcnl\u00fc oldu\u011fu parlak renklerle resim yapt\u0131. <\/p>\n\n\n\n

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Arles’daki Langlois K\u00f6pr\u00fcs\u00fc, Mart 1888<\/strong>
Tuval \u00fczerine ya\u011fl\u0131boya, 54 x 65 cm
Kr\u00f6ller-M\u00fcller M\u00fczesi Otterlo, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n
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Hasat<\/strong>, Haziran 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 73 x 92 cm
Van Gogh M\u00fczesi Amsterdam, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n

Van Gogh bu tablosunda bir yaz g\u00fcn\u00fcn\u00fcn atmosferini yakalam\u0131\u015ft\u0131r. Yak\u0131c\u0131 g\u00fcne\u015fin alt\u0131nda g\u00fcnlerce \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Van Gogh masmavi g\u00f6ky\u00fcz\u00fcn\u00fc sar\u0131 ve ye\u015filin 30’dan fazla farkl\u0131 tonuyla birle\u015ftirdi. Vincent’\u0131n kendisi de bu tabloyu en ba\u015far\u0131l\u0131 resimlerinden biri olarak g\u00f6rm\u00fc\u015ft\u00fcr. <\/p>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t

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Badem \u00c7i\u00e7e\u011fi<\/strong>, \u015eubat 1890
Tuval \u00fczerine ya\u011fl\u0131boya, 73 x 92 cm
Van Gogh M\u00fczesi Amsterdam, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n

Badem a\u011fac\u0131 bahar\u0131n ilk habercisidir ve b\u00fcy\u00fck \u00e7i\u00e7ekleri yeni ya\u015fam\u0131 simgeler. Motif, net konturlar ve a\u011fac\u0131n resimdeki konumu Japon bask\u0131 sanat\u0131ndan esinlenmi\u015ftir. Eser ayr\u0131ca Van Gogh’un arka planda kulland\u0131\u011f\u0131 \u00e7ok say\u0131da mavi tonuyla da tan\u0131n\u0131r. <\/p>\n\n\n\n

Bu tablo Van Gogh’un, karde\u015fi Theo ve e\u015fi Johanna’n\u0131n o\u011flu Vincent Willem’in do\u011fumu i\u00e7in yapt\u0131\u011f\u0131 bir hediyeydi. Theo bir mektupta \u015f\u00f6yle yazm\u0131\u015ft\u0131: \u00bb<\/strong>‘Sana s\u00f6yledi\u011fimiz gibi, ona senin ad\u0131n\u0131 verece\u011fiz ve onun da senin kadar kararl\u0131 ve cesur olmas\u0131n\u0131 diliyorum.\u00ab Vincent Willem 1973 y\u0131l\u0131nda Amsterdam’da Van Gogh M\u00fczesi’ni kurdu. <\/p>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t

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The Night Caf\u00e9<\/strong>, Eyl\u00fcl 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 70 x 89 cm
Yale \u00dcniversitesi Sanat Galerisi, Amerika Birle\u015fik Devletleri<\/figcaption>\n<\/figure>\n\n\n\n
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Gece kafe teras\u0131<\/strong>, Eyl\u00fcl 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 81 x 66 cm
Kr\u00f6ller-M\u00fcller M\u00fczesi Otterlo, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n

Geceleyin teras<\/strong><\/p>\n\n\n\n

Gece resimleri resim sanat\u0131nda nadirdir. Van Gogh bu zorlu\u011fun \u00fcstesinden al\u0131\u015f\u0131lmad\u0131k bir \u015fekilde gelir. Siyah ve grinin tonlar\u0131n\u0131 kullanmak yerine \u00e7e\u015fitli renkler kullanm\u0131\u015ft\u0131r. Vincent van Gogh karde\u015fine heyecanla bu resmi tamamen siyah olmadan \u00e7izdi\u011fini yazm\u0131\u015ft\u0131r. Sar\u0131 renkte parlayan tente ile derin, koyu mavi kontrast\u0131 olu\u015fturan t\u00fcm koyu tonlar\u0131 kendisi kar\u0131\u015ft\u0131rm\u0131\u015ft\u0131r. Van Gogh bu etkiden memnun: “Bence sar\u0131 ve turuncu olan parlak gaz \u0131\u015f\u0131\u011f\u0131 maviyi daha \u00e7ok vurguluyor.” Tablonun g\u00f6ky\u00fcz\u00fcndeki y\u0131ld\u0131zlar\u0131 Vincent van Gogh’un ne kadar iyi g\u00f6zlem yapabildi\u011fini g\u00f6stermektedir. O kadar hassas bir \u015fekilde resmedilmi\u015flerdir ki, tabloyu 16 ya da 17 Eyl\u00fcl 1888 gecesine tarihlemek m\u00fcmk\u00fcn olmu\u015ftur. <\/p>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t

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1 Provence’da Hasat<\/strong>, Haziran 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 50 x 60 cm
\u0130srail M\u00fczesi Kud\u00fcs, \u0130srail<\/figcaption>\n<\/figure>\n\n\n\n
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2 Y\u0131ld\u0131zl\u0131 g\u00f6ky\u00fcz\u00fc alt\u0131nda selvi yolu,<\/strong> May\u0131s 1890
Tuval \u00fczerine ya\u011fl\u0131boya, 92 x 73 cm
Kr\u00f6ller-M\u00fcller M\u00fczesi Otterlo, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n
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3 Arles’daki hastanenin bah\u00e7esi<\/strong>, Nisan 1890
Tuval \u00fczerine ya\u011fl\u0131boya, 73 x 92 cm
Oscar Reinhart Koleksiyonu Winterthur, \u0130svi\u00e7re<\/figcaption>\n<\/figure>\n\n\n\n
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4 Saintes-Maries’de Bal\u0131k\u00e7\u0131 Tekneleri<\/strong>, Haziran 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 51 x 64 cm
Van Gogh M\u00fczesi Amsterdam, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n
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5 Selvili bu\u011fday tarlas\u0131<\/strong>, Eyl\u00fcl 1889
Tuval \u00fczerine ya\u011fl\u0131boya, 72 x 91 cm
Ulusal Galeri Londra, B\u00fcy\u00fck Britanya<\/figcaption>\n<\/figure>\n\n\n\n
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6 S\u00fcsen<\/strong>, May\u0131s 1889
Tuval \u00fczerine ya\u011fl\u0131boya, 71 x 93 cm
J. Paul Getty M\u00fczesi Los Angeles, Amerika Birle\u015fik Devletleri<\/figcaption>\n<\/figure>\n\n\n\n
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7 F\u0131rt\u0131nal\u0131 g\u00f6ky\u00fcz\u00fc alt\u0131nda bu\u011fday tarlalar\u0131<\/strong>, Temmuz 1890
Tuval \u00fczerine ya\u011fl\u0131boya, 50 x 100 cm
Van Gogh M\u00fczesi Amsterdam, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n
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8 Ekici<\/strong>, Haziran 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 64 x 81 cm
Kr\u00f6ller-M\u00fcller M\u00fczesi Otterlo, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n
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9 G\u00fcn Ortas\u0131 Dinlenmesi (Millet’den sonra),<\/strong> Ocak 1890
Tuval \u00fczerine ya\u011fl\u0131boya, 73 x 91 cm
Mus\u00e9e d’Orsay Paris, Fransa<\/figcaption>\n<\/figure>\n\n\n\n
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10 \u015eeftali A\u011fac\u0131 \u00c7i\u00e7ek A\u00e7arken (Leylak Hat\u0131ras\u0131),<\/strong> Mart 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 73 x 60 cm
Kr\u00f6ller-M\u00fcller M\u00fczesi Otterlo, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n
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11 Auvers Kilisesi<\/strong>, Haziran 1890
Tuval \u00fczerine ya\u011fl\u0131boya, 94 x 74 cm
Mus\u00e9e d’Orsay Paris, Fransa<\/figcaption>\n<\/figure>\n\n\n\n
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12 K\u0131z\u0131l \u00dcz\u00fcm Ba\u011f\u0131<\/strong>, Kas\u0131m 1888
Tuval \u00fczerine ya\u011fl\u0131boya, 75 x 93 cm
Pu\u015fkin M\u00fczesi Moskova, Rusya<\/figcaption>\n<\/figure>\n\n\n\n
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13 G\u00fcn bat\u0131m\u0131nda ekin<\/strong>, Kas\u0131m 1888
Tuval \u00fczerine j\u00fct \u00fczerine ya\u011fl\u0131boya, 74 x 93 cm
Emil B\u00fchrle Koleksiyonu, Kunsthaus Z\u00fcrih, \u0130svi\u00e7re<\/figcaption>\n<\/figure>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t
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Kargal\u0131 Bu\u011fday Tarlas\u0131<\/strong>, Temmuz 1890
Tuval \u00fczerine ya\u011fl\u0131boya, 51 x 103 cm
Van Gogh M\u00fczesi Amsterdam, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n

Bu resmin uzun s\u00fcre Van Gogh’un son resmi oldu\u011fu d\u00fc\u015f\u00fcn\u00fcld\u00fc. Muhtemelen de resmin ruh hali \u00e7ok u\u011fursuz g\u00f6r\u00fcnd\u00fc\u011f\u00fc i\u00e7in – kargalar yakla\u015fan \u00f6l\u00fcm\u00fcn habercileri olarak. Ne yaz\u0131k ki bu do\u011fru de\u011fil: Kay\u0131nbiraderi Andries Bonger’e g\u00f6re Vincent van Gogh ‘A\u011fa\u00e7 K\u00f6kleri’ne \u00f6ld\u00fc\u011f\u00fc g\u00fcn ba\u015flam\u0131\u015ft\u0131. <\/p>\n\n\n\n

Auvers’de son g\u00fcnler<\/strong><\/p>\n\n\n\n

Auvers’de ge\u00e7irdi\u011fi 70 g\u00fcn yarat\u0131c\u0131 enerji ve g\u00fcven doluydu. Van Gogh burada 70’ten fazla resim yapt\u0131. Vincent van Gogh’un 27 Temmuz 1890’da ya\u015fam\u0131na neden orada son vermek istedi\u011fi bug\u00fcn bile gizemini korumaktad\u0131r. Vincent’\u0131n karde\u015fi Theo’ya yazd\u0131\u011f\u0131 bir mektupta kay\u0131nbiraderi Andries Bonger, Van Gogh’un son g\u00fcn\u00fcn\u00fcn ba\u015flang\u0131c\u0131n\u0131 tamamen normal olarak tan\u0131ml\u0131yor: \u00bb<\/strong>\u00d6l\u00fcmc\u00fcl kur\u015funun at\u0131ld\u0131\u011f\u0131 sabah, g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131 ve hayat dolu bir orman manzaras\u0131 \u00e7izmi\u015fti.\u00ab Ancak 27 Temmuz ak\u015fam\u0131 Vincent karn\u0131nda bir tabancadan \u00e7\u0131kan kur\u015funla kendini odas\u0131na s\u00fcr\u00fckledi. Muhtemelen kendi ate\u015fledi\u011fi kur\u015fun hala omurgas\u0131na saplanm\u0131\u015ft\u0131. Theo Paris’ten ko\u015farak geldi, ancak iki g\u00fcn sonra, 29 Temmuz’da Vincent van Gogh yaralanmas\u0131n\u0131n etkisiyle hen\u00fcz 37 ya\u015f\u0131ndayken \u00f6ld\u00fc. <\/p>\n\n\n\n

Ceset Ravoux restoran\u0131na konuldu. Yak\u0131n arkada\u015f\u0131 \u00c9mile Bernard olay yerini \u015fu s\u00f6zlerle anlatm\u0131\u015ft\u0131r: \u00bb<\/strong>Tabut \u00e7oktan kapanm\u0131\u015ft\u0131. D\u00f6rt y\u0131l \u00f6nce beni her t\u00fcrl\u00fc umutla dolu olarak b\u0131rakan adam\u0131 tekrar g\u00f6rmek i\u00e7in \u00e7ok ge\u00e7 kalm\u0131\u015ft\u0131m […]. Son resimlerinin hepsi, cesedinin serildi\u011fi odan\u0131n duvarlar\u0131na as\u0131lm\u0131\u015f, onun i\u00e7in bir t\u00fcr hale olu\u015fturmu\u015ftu ve yayd\u0131klar\u0131 deha par\u0131lt\u0131s\u0131, bu \u00f6l\u00fcm\u00fc sanat\u00e7\u0131lar i\u00e7in daha da ac\u0131 verici hale getiriyordu. […] \u00e7ok sevdi\u011fi ay\u00e7i\u00e7ekleri, sar\u0131 y\u0131ld\u0131z \u00e7i\u00e7ekleri, her yerde sar\u0131 \u00e7i\u00e7ekler. Hat\u0131rlayaca\u011f\u0131n\u0131z gibi, bu onun en sevdi\u011fi renkti, sanat eserlerine oldu\u011fu kadar kalplere de hayal etti\u011fi \u0131\u015f\u0131\u011f\u0131n sembol\u00fcyd\u00fc.\u00ab Vincent van Gogh 30 Temmuz’da Auvers-sur-Oise mezarl\u0131\u011f\u0131nda arkada\u015flar\u0131, ailesi ve sanat\u00e7\u0131 dostlar\u0131 taraf\u0131ndan b\u00fcy\u00fck bir sempatiyle topra\u011fa verildi.<\/p>\n\n\n\n

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A\u011fa\u00e7 K\u00f6kleri<\/strong>, Temmuz 1890
Tuval \u00fczerine ya\u011fl\u0131boya, 50 x 100 cm
Van Gogh M\u00fczesi Amsterdam, Hollanda<\/figcaption>\n<\/figure>\n\n\n\n

Vincent van Gogh, muhtemelen son tablosu olan bu resimde soyut formlar\u0131 betimler. Bunlar\u0131n bir yama\u00e7taki a\u011fa\u00e7 k\u00f6kleri oldu\u011fu ancak ikinci bak\u0131\u015fta anla\u015f\u0131l\u0131r. Resim tamamlanmam\u0131\u015ft\u0131r. I\u015f\u0131\u011f\u0131n havas\u0131 g\u00fcne\u015fli bir \u00f6\u011fleden sonra gibidir. Uzmanlar buradan van Gogh’un ak\u015fam 8 sular\u0131nda intihar\u0131ndan k\u0131sa bir s\u00fcre \u00f6ncesine kadar bu resim \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131 sonucuna var\u0131yor. <\/p>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n<\/div>\n\t\t\t\t

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