{"id":5721,"date":"2025-03-13T15:41:55","date_gmt":"2025-03-13T14:41:55","guid":{"rendered":"https:\/\/app-visiodrom.pixel-tal.de\/mektuplar\/"},"modified":"2025-03-21T10:16:18","modified_gmt":"2025-03-21T09:16:18","slug":"mektuplar","status":"publish","type":"page","link":"https:\/\/app.visiodrom.de\/tr\/mektuplar\/","title":{"rendered":"Mektuplar"},"content":{"rendered":"
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Mektuplarla ge\u00e7en bir hayat<\/strong><\/h3><\/div>\n\n\n\n

Vincent van Gogh resimlerinin yan\u0131 s\u0131ra ard\u0131nda y\u00fczlerce mektup da b\u0131rakt\u0131. Yazd\u0131\u011f\u0131 s\u00f6ylenen 2.000’den fazla mektubun 903’\u00fc g\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015ft\u0131r. Mektuplar\u0131n 600’den fazlas\u0131n\u0131 en \u00f6nemli s\u0131rda\u015f\u0131 ve en b\u00fcy\u00fck destek\u00e7isi olan karde\u015fi Theo’ya yazm\u0131\u015ft\u0131r. Vincent van Gogh’un mektuplar\u0131 onun ya\u015fam\u0131na, d\u00fc\u015f\u00fcncelerine, ya\u015fad\u0131\u011f\u0131 d\u00f6neme ve sanat\u0131na dair e\u015fsiz bir bak\u0131\u015f a\u00e7\u0131s\u0131 sunuyor. Mektuplar, \u00e7o\u011fu daha sonraki resimlere ait 240’tan fazla eskiz i\u00e7erir. Vincent bunlara “karalamalar” ad\u0131n\u0131 vermi\u015fti. Yazarken, \u00f6zellikle Theo’ya yazd\u0131\u011f\u0131 mektuplarda, Millet, Delacroix ve Rembrandt gibi di\u011fer sanat\u00e7\u0131lar\u0131n kendisine ilham veren eserlerini yans\u0131tt\u0131. Fransa’da bir sanat\u00e7\u0131 olarak tan\u0131nmak i\u00e7in 1886’dan itibaren t\u00fcm mektuplar\u0131n\u0131 en \u00f6nemli uluslararas\u0131 dil olan Frans\u0131zca yazd\u0131. Sa\u011f tarafta Vincent’\u0131n karde\u015fine yazd\u0131\u011f\u0131 tipik bir mektubu g\u00f6rebilirsiniz. Tarih 29 Eyl\u00fcl 1888: Vincent Arles’da bulunuyordu ve oradaki \u0131\u015f\u0131k ve s\u0131cakl\u0131ktan \u00e7ok memnundu, baca\u011f\u0131ndan hasta olan karde\u015fi Theo ise Paris’te kal\u0131yordu. Mektuplar Vincent van Gogh’un d\u00fcnyay\u0131 sanat yoluyla a\u00e7\u0131klama arzusuyla yan\u0131p tutu\u015fan ve ayn\u0131 zamanda sanat yoluyla d\u00fcnyayla ba\u011flant\u0131 kurmaya \u00e7al\u0131\u015fan duyarl\u0131 ve d\u00fc\u015f\u00fcnceli bir insan oldu\u011funu g\u00f6steriyor.Vincent, Paris’te sanat simsar\u0131 olarak ya\u015famaya devam eden karde\u015fine, Theo’nun satmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 resimlerini ve bir\u00e7ok mektubu g\u00f6nderdi. Haberciler tuvalleri rulo halinde ya da kutular i\u00e7inde Paris’e getirdiler. Ba\u015flang\u0131\u00e7ta tablolar manevi bir de\u011ferdi, daha sonra Theo’nun Vincent’a ayl\u0131k deste\u011fi i\u00e7in de\u011ferli bir kar\u015f\u0131l\u0131k oldu. <\/p>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t

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1 | Tipik bir ba\u015flang\u0131\u00e7<\/strong><\/p>\n\n\n\n

Ba\u015flang\u0131\u00e7ta Vincent s\u0131k s\u0131k karde\u015fine deste\u011fi i\u00e7in te\u015fekk\u00fcr ediyordu.<\/p>\n\n\n\n

\u00bbSevgili Theo,mektubun ve i\u00e7indeki 50 frankl\u0131k not i\u00e7in \u00e7ok te\u015fekk\u00fcrler. Baca\u011f\u0131ndaki a\u011fr\u0131 geri d\u00f6nd\u00fcyse durum pek i\u00e7 a\u00e7\u0131c\u0131 g\u00f6r\u00fcnm\u00fcyor – Tanr\u0131m – senin de g\u00fcneyde ya\u015faman m\u00fcmk\u00fcn olmal\u0131, \u00e7\u00fcnk\u00fc en g\u00fcvenilir ila\u00e7 olarak g\u00fcne\u015fe, g\u00fczel havaya ve mavi havaya ihtiyac\u0131m\u0131z oldu\u011funu d\u00fc\u015f\u00fcnmeye devam ediyorum.\u00ab <\/p>\n\n\n\n

2 | Arkada\u015flara duyulan \u00f6zlem<\/strong><\/p>\n\n\n\n

Vincent g\u00fcneydeki sanat\u00e7\u0131 kolonisini d\u00f6rt g\u00f6zle bekliyordu.<\/p>\n\n\n\n

\u00bbHer an ve her yerde seni, Gauguin’i ve Bernard’\u0131 ne kadar \u00e7ok d\u00fc\u015f\u00fcn\u00fcyorum. Buras\u0131 \u00e7ok g\u00fczel ve herkesi burada g\u00f6rmeyi \u00e7ok isterdim.\u00ab <\/p>\n\n\n\n

3 | Sanat hakk\u0131nda tart\u0131\u015fma<\/strong><\/p>\n\n\n\n

Vincent burada ‘Rhone \u00dczerinde Y\u0131ld\u0131zl\u0131 Gece’ adl\u0131 tablosunu ayr\u0131nt\u0131l\u0131 olarak anlatm\u0131\u015f ve bir eskiz eklemi\u015ftir.<\/p>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t

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4 | <\/strong>Bunu ‘Sar\u0131 Ev’ tablosunun bir tasla\u011f\u0131yla birlikte bir ba\u015fka a\u00e7\u0131klama izledi.<\/p>\n\n\n\n

5 | Emek ve din<\/strong><\/p>\n\n\n\n

Vincent da resme s\u0131\u011f\u0131nm\u0131\u015f gibi g\u00f6r\u00fcn\u00fcyordu. Din konusu onun pe\u015fini hi\u00e7 b\u0131rakmad\u0131 ve muhtemelen ‘Rhone \u00dczerinde Y\u0131ld\u0131zl\u0131 Gece’ tablosunun da motivasyon kayna\u011f\u0131 oldu. <\/p>\n\n\n\n

\u00bbVe zor bir \u015fey yapmak bana iyi geliyor. Bu, dine kar\u015f\u0131 korkun\u00e7 bir ihtiyac\u0131m oldu\u011fu ger\u00e7e\u011fini de\u011fi\u015ftirmiyor. – Bu y\u00fczden geceleri y\u0131ld\u0131zlar\u0131 boyamak i\u00e7in d\u0131\u015far\u0131 \u00e7\u0131k\u0131yorum ve s\u00fcrekli olarak bir grup canl\u0131 fig\u00fcrle, arkada\u015flarla b\u00f6yle bir resim hayal ediyorum.\u00ab <\/p>\n\n\n\n

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6 | Kendi zevkinize g\u00fcvenin<\/strong><\/p>\n\n\n\n

Kendi inan\u00e7lar\u0131n\u0131za g\u00f6re mi yoksa satmak i\u00e7in mi resim yap\u0131yorsunuz? Her ressam\u0131n kendine sormas\u0131 gereken bir soru. Van Gogh’un cevab\u0131, onun resim yapmay\u0131 ne kadar ciddiye ald\u0131\u011f\u0131n\u0131 g\u00f6steriyor. \u00bbGiderek daha fazla inan\u0131yorum ki, ger\u00e7ek ve do\u011fru resim ticareti, ki\u015finin kendi zevkine, ustalardan ald\u0131\u011f\u0131 e\u011fitime, tek kelimeyle kendi inanc\u0131na g\u00fcvenmesinden ibarettir. \u0130yi bir resim yapman\u0131n bir elmas ya da inci bulmaktan daha kolay olmad\u0131\u011f\u0131na inan\u0131yorum; bu \u00e7aba gerektirir ve bu s\u00fcre\u00e7te hem bir sat\u0131c\u0131 hem de bir sanat\u00e7\u0131 olarak hayat\u0131n\u0131z\u0131 riske atars\u0131n\u0131z.\u00ab <\/p>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t

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7 | Resim de\u011fi\u015fimi<\/strong><\/p>\n\n\n\n

Burada Van Gogh, a\u015fk maceralar\u0131 nedeniyle hayranl\u0131k duydu\u011fu te\u011fmen arkada\u015f\u0131 Paul-Eug\u00e8ne Milliet’den bahsediyor (bu nedenle portresi ‘A\u015f\u0131k’ olarak an\u0131l\u0131yor).\u00bb Milliet size en iyi dileklerini iletiyor, \u015fimdi elimde z\u00fcmr\u00fct rengi bir arka plan \u00fczerinde k\u0131rm\u0131z\u0131 \u015fapkal\u0131 portresi var ve bu arka planda alay\u0131n\u0131n i\u015faretleri, hilal ve be\u015f k\u00f6\u015feli bir y\u0131ld\u0131z.\u00ab<\/p>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t

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\u00bbEkte 30 numaral\u0131 kare tuvalin k\u00fc\u00e7\u00fck bir tasla\u011f\u0131 var – nihayet y\u0131ld\u0131zl\u0131 g\u00f6ky\u00fcz\u00fc, gece gaz \u0131\u015f\u0131\u011f\u0131nda boyanm\u0131\u015f. G\u00f6ky\u00fcz\u00fc mavi-ye\u015fil, su kraliyet mavisi, tarlalar soluk mor. \u015eehir mavi ve menek\u015fe renginde. Gaz \u0131\u015f\u0131\u011f\u0131 sar\u0131d\u0131r ve yans\u0131malar\u0131 k\u0131rm\u0131z\u0131ms\u0131 alt\u0131n rengindedir ve bronz ye\u015file do\u011fru iner. G\u00f6ky\u00fcz\u00fcn\u00fcn mavi-ye\u015fil alan\u0131nda, B\u00fcy\u00fck Ay\u0131’n\u0131n ye\u015fil ve pembe bir par\u0131lt\u0131s\u0131 vard\u0131r ve bu par\u0131lt\u0131 gaz \u0131\u015f\u0131\u011f\u0131n\u0131n \u00e7i\u011f alt\u0131n rengiyle tezat olu\u015fturur. \u00d6n planda iki renkli a\u015f\u0131k fig\u00fcr\u00fc.\u00ab <\/p>\n\n\n\n

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\u00bbAyn\u0131 \u015fekilde, evi ve \u00e7evresini k\u00fck\u00fcrt sar\u0131s\u0131 bir g\u00fcne\u015fin alt\u0131nda, saf kobalt rengi bir g\u00f6ky\u00fcz\u00fcnde g\u00f6steren 30 numaral\u0131 kare tuval eskizi. Bu ger\u00e7ekten zor bir konu! Ama bu y\u00fczden onu fethetmek istiyorum. \u00c7\u00fcnk\u00fc g\u00fcne\u015fin alt\u0131ndaki bu sar\u0131 evler ve ard\u0131ndan mavinin e\u015fsiz tazeli\u011fi korkun\u00e7. <\/p>\n\n\n\n

B\u00fct\u00fcn zemin de sar\u0131. Size haf\u0131zamdaki bu taslaktan daha iyi bir \u00e7izim daha g\u00f6nderece\u011fim; soldaki ev pembe, ye\u015fil panjurlu; a\u011fac\u0131n g\u00f6lgesindeki ise her g\u00fcn yemek yedi\u011fim restoran. Posta m\u00fcd\u00fcr\u00fc arkada\u015f\u0131m soldaki soka\u011f\u0131n sonunda, iki demiryolu k\u00f6pr\u00fcs\u00fcn\u00fcn aras\u0131nda oturuyor.\u00ab <\/p>\n\n<\/div>\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\n<\/div>\n\t\t\t\t

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